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Zach
Katz earned his Juris Doctorate from Loyola School of Law in 1996 and
made the bold decision to go into private practice in his home city
of Los Angeles. Having to fend for himself Mr. Katz had to quickly gain
experience in the music business and attract a stable client base. He
quickly found success and became the go-to guy for numerous notable
artists, producers, record labels, distributors and publishing companies
who heard about the young music attorney with a true love for music,
particularly hip-hop. I always thought outside the box and outside
of my role as a lawyer. I was never satisfied with just drafting and
negotiating agreements. Securing endorsements, merchandising opportunities,
and touring engagements for my clients were prominent parts of my practice.
This unorthodox lawyering became a natural transition into
the next stage of Zach Katzs career in the music industry.
In 2000, one of Zach Katzs legal clients Groove Attack GMBH, a
European music distribution powerhouse decided to launch a U.S. hip-hop
record label. Based on his work with Groove Attack, Zach Katz was asked
to become the CEO of the new enterprise. During his two years as the
Companys CEO, Zach Katz successfully oversaw the production, distribution
and marketing of several critically acclaimed albums, including the
solo album from A Tribe Called Quests Phife Dawg. Phifes
album went on to sell more than one hundred thousand units in the United
States alone. Zach Katzs work with Groove Attack largely took
him away from his work as a lawyer, a place Mr. Katz was not eager to
return to.
At the end of 2001 while
Zach Katz was legally representing producer extraordinaire Hi-Tek, the
opportunity to become Hi-Teks manager opened up. Hi-Tek
was changing management, and, seeing the progress we had made together,
asked me to take on a hands-on role in guiding his career, explains
Mr. Katz. With his first management client seeing immediate success
as a producer, artist and music executive under Mr. Katzs guidance,
Zach Katz immediately knew that he could never be just a lawyer again.
Managing Hi-Tek proved to be very exciting. As a manager I had
the opportunity to continue the creative work that I began as the CEO
of Groove Attack. But it was very challenging to prove to the people
around me that someone who was once a lawyer, had the creative vision
to be a music manager. At first, many people simply didnt want
to see me in my new role, he explains. The non-believers were
quickly converted when Zach Katz expanded his management roster to include
the legendary rapper Rakim. When I officially became Rakims
manager, people had to accept that I was in the management game. Rakim
is one of the most respected people in the music industry. Everyone
knows that hes extremely selective with the people he surrounds
himself with.
As Rakims manager,
Zach Katz saw tremendous potential to expand his clients hip-hop
icon status into
an equally sizeable brand name. Thinking on a global level, Zach Katz
successfully identified and forged relationships with corporate entities,
who naturally fit the class, integrity and uniqueness of Rakims
brand. The first of these brand marriages was with Reebok, who created
a national Rakim Classic campaign.
The campaign was an equally huge success for both Reebok and Rakim.
The second branding opportunity came when Zach Katz successfully pitched
and landed the Never Blend In campaign with Hennessy. The Never Blend
In campaign was a perfect match for Rakim, whos unmistakable class
and style has stood out from its inception. The Hennessy campaign continues
to run to this date via full page advertisements in musics most
credible publications.
As Rakim and Hi-Teks
manager Zach Katz quickly forged a strong alliance with Aftermath Records
that continues to grow to this day. Mr. Katzs introduction to
whats arguably the most powerful record label in
hip-hop came when Dr. Dre invited Hi-Tek to produce music for some of
Aftermaths artists. Seeing Zach Katzs business savvy as
well as his relentless dedication to his clients encouraged Dre to introduce
Mr. Katz to Rakim, who was looking for management. In addition, Zach
Katz added Joe Beast, a talented Pittsburgh rapper, also signed to Aftermath,
to his management roster. Having two artists on Aftermath,
I spent countless nights in the studio with Dr. Dre and witnessed Dre
at work. Many people would pay top dollar to see what I saw and learn
what I learned from Dre. I got to see the science behind some of peoples
favorite rap records. And I paid very close attention to everything
that I heard and saw, explains Zach Katz.
Although both Rakim and Joe
Beast eventually parted ways with Aftermath, Zach Katzs relationship
with the label continued to grow. In 2002 Zach Katz began managing,
as a producer and solo artist, Denaun Porter p/k/a Konartis of D-12.
Denaun had already begun producing with Dre when he joined Mr. Katzs
management roster.
With music management as
his primary focus during the past few years, Mr. Katz represents some
of todays most notable urban producers. In addition to managing
Hi-Tek and Denaun Porter, Zach Katz discovered and introduced to the
music world Jonathan J.R. Rotem, who many are calling the
next Dr.
Dre. A classically trained pianist, J.R. has, in a period of six months,
produced more records for A list
artists (50 Cent, Lil Kim, Fabulous, Dr. Dre, etc.) than most producers
succeed in producing during their entire careers. All in all Mr. Katzs
clients are personally responsible for contributing to worldwide record
sales that exceed 50 million units. Mr. Katz has also assisted many
of his clients in creating record companies and music publishing entities,
over which he presently presides.
Always planning his next
move, Zach Katz is focused on utilizing his experience, connections
and army of
hit making producers to establish the next entertainment powerhouse.
I want to keep a close roster of management clients together with
whom I can build an empire. Im constantly looking for artists
who are worthy of really getting behind. Im approached by artists
every day that are pretty good. But if Im going to put my blood,
sweat and tears into an artist, they have to be no less than exceptional.
With that kind of dedication, Zach Katz is sure to win.
As you can see there is a
very evident Shady/Aftermath/G-Unit/Interscope flavor to Zach's clientele
list as
all of the above have been very active on projects from 50 Cent, Get
Rich Or Die Trying OST, Obie Trice, Game, Busta Rhymes, Mobb Deep and
even putting in work on Dr. Dre's upcoming Detox LP.
In addition to managing Hi-Tek, Denaun Porter (D-12) and Jonathan "J.R."
Rotem, a joint venture between Zach's company, Cinematic Music and Def
Jam has resulted in the signing of 334 M.O.B.B. (a new two man duo/brothers
from Montgomery, AL who now reside in Atlanta, GA--334 M.O.B.B will
release there Def Jam debut in 2006). True story, at 334 M.O.B.B.'s
recent showcase in NYC, LA Reid was so impressed with them, he would
not let them leave the building until he signed them--LITERALLY!!
Zach is making so many moves for his clients that its hard to keep up
with him, so here is a breakdown of what his clients are currently up
too. As you will see, everyone is doing VERY BIG THINGS!
Jonathan "J.R." Rotem-
Zach has helped J.R. secure over 50 placements in the past year including
50 Cent, Olivia, Obie Trice,
Lil Kim, Fabulous, Stat Quo, Snoop, etc. In the last few weeks alone
he gave Mobb Deep 7 tracks, 1 for Game, 1 for Trick Daddy, Scrappy,
Dr. Dre's Detox, Cristal (Atlantic), Rhianna, and Penelope. He's going
in the studio to work with T.I. next week. J.R. is the man behind the
boards for Lil Kim's next single, Rhianna's next single, LeToya Lucket's
first single with Paul Wall and Slim Thug, Maino's first single 'In
The Hood',
T. Waters first single, Lebo's first single on Sony,etc.
Hi-Tek-
Hi-Tek just gave Game 2 new records for his second album, 1 track on
Dr. Dre's Detox, 2 on the 50 Soundtrack, 3 on the upcoming Busta Rhymes
LP, upcoming Styles P, upcoming Bilal, upcoming T.I..
In addition, Tek is working on Reflection Eternal with Kweli and is
working on his second solo-LP as well.
Denaun Porter-
Denaun just worked on Dr. Dre's Detox, working with Game, Black Rob,
Lil Kim, Bilal, Method Man, Obie Trice, etc. He is also Executive Producing
Pharoah Monche's new album.
In addition to his managerial expertise with his stable of artists,
Zach runs his own management company and is being heavily sought after
to run A&R departments at some of the biggest labels around.
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